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L'enigma Dell'ermellino: Into The Painting (Italian Edition

 
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MessagePosté le: Ven 16 Juin - 01:12 (2017)    Sujet du message: L'enigma Dell'ermellino: Into The Painting (Italian Edition Répondre en citant


L'enigma dell'ermellino: Into the painting (Italian Edition)
by Chiara Comella


>>>DOWNLOAD BOOK L'enigma dell'ermellino: Into the painting (Italian Edition)


Durante una visita al museo, Andrea e Gaia, due ragazzi di undici e otto anni, finiscono in un buio deposito, dove incontrano una donna vestita in abiti rinascimentali. Si tratta di Cecilia Gallerani, la dama con l’ermellino di Leonardo da Vinci, evasa dalla propria cornice perché allertata dall’assenza del suo animaletto. I bambini si offrono di aiutare la strana signora nella ricerca dell’ermellino scomparso, ma la storia ben presto si complicherà. 
Passando di quadro in quadro, i due giovani galoppano attraverso capolavori della pittura, perdendosi in un mondo fatto di colore e disegni. I quadri di Arcimboldo, van Gogh, Munch, Dalì e De Chirico sono ambienti vivi, popolati da personaggi che si muovono, respirano e che parlano! Modelli affascinanti e misteriosi, buoni e cattivi, generosi e infidi, sinceri e bugiardi, che metteranno alla prova la forza d’animo e le risorse emotive di Andrea e Gaia: due ragazzi cresciuti in un mondo di prevedibile e comoda razionalità, ora a contatto con l’imponderabile. Dovranno mettersi in gioco, investendo tutto il coraggio, la fantasia e l’umanità di cui sono capaci. Dovranno accettare quello che a prima vista sembra impossibile (ma è davvero impossibile?) e scontrarsi con eventi imprevisti: tempeste e maremoti di colori ad olio, congiure di quadri e battaglie cromatiche.
 





















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173-183on the island of Delos where the sun wantedPoppy DrawingSibylla MerianVintage PlatesVintage PrintsBotanical IllustrationCaterpillarThe GermansFormal LanguageChest PieceForwardcropped engraving of opium poppy with associated grubs & mothsSee Moreby peacay47 (FebIn this case Cecilias posture slightly differs from the usual one: She is turned to the right and not to the left of the observer, as it happens with the most of Virgins announced by the Angel(Manzi, 1817, p.185: my English translation)P.COTTE/, Lumiere on The Lady with an Ermine / Lumiere sur La Dame lHermine21-23, 78-87, 171, 178, 182, 217)OF BELINCIONE IN RESPONSE TO THE PRIOR [SONNET]Then the portrait might have been modified again by transforming the weasel into an ermine, or symbolic creature after the legitimate son of Ludovico il Moro: Ercole Massimiliano Sforza, "the new Hercules" in name and in fact

Do not think of pulling the water to your millTherefore, compared to other Ladies, Cecilia Gallerani, was a privileged Lady who was presumably allowed to wear ahead of Her time the trenzado headwear (composed of coazzone and trenzale) and sbernia that is exactly the same headdress and cloak of a Spanish type, which are depicted in the painting and which were adopted in the Aragonese court of NaplesConsidering the elements of costume present in the final version of the painting datable more plausibly, around 1490/1491 when the "Spanish-like" styles introduced in 1489 by Isabella of Aragon had been adopted and indeed, with the arrival of Beatrice d'Este in Milan (1491) had become a prerogative of the Sforza court together with Pascal Cottes findings relating to preexisting vestimentary details and to the remakes detected in the painting (Cotte, 2014, pp.171-182, 201-217), one of the most important data, resulting from the multispectral analysis developed by Cotte, may be the discovery that in the original iconography of the Lady with an ermine a specimen from the Mustelidae family, perhaps a weasel (?) was initially absent and then subsequently introduced, then again replaced by an ermine, and/or a symbolic animal if one considers the peculiar assembly of its anatomical parts and proportions: moreover, it is quite habitual, especially in works of Art related to marriage and birth, such as wedding chests and birth salvers, the use of allegorical animals with propitiatory and talismanic function# 8937)See Morefrom ebooks.library.cornell.edu- I have considered that346-358

As if the world was THEIR TV, and theyre undisputed actors of a "REALITY" life, and were mere mortals from ordinary life more or less interesting, owe us stay in the chair and watch 24/7, but we can always decide to take the remote control and TURN EVERYTHING OFFTheir authors reproposed and detailed some of the correlations already present in the text of Moczulska and subsequently to my great surprise in the present text which I composed for Pascal Cotte and that had circulated partially in unedited form, before being made public hereTHAT'S ITBut, for one time, if we let lose what they ARE and take them for how they LOOK: styled their unsurpassed and more or less divine beauty, and that basically fascinate us all a little, and dont always admit it! Behold, frankly, Im fascinated by their beautyIn the sonnet On Leonardos Portrait of Madonna Cecilia, composed within 1492, the year of His deathLeonardo da Vinci

9 (2009) pp.143-146Many are good Painters by wordsL.SYSON et alC.PESCIO (a cura di), Leonardo: arte e scienzaFinally, according to one of the existent versions for this Myth, Zeus and Hera agreed that Eurystheus should be the Lord of Argolis and that Heracles would be in His service until He had fulfilled His twelve labours: whereupon He would achieve the immortality147-154, 200- 216), would lead to a further hypothesis:* The Lupino is perhaps to be considered as a mandator of the Lupa = the Church / the Papacy

The goddesses (but according to other versions, the same Hera) in revenge of Galanthis deception, immediately turned Her into a weaselAt my high fortress He says I ascribed Him,Italian RenaissanceRenaissance ArtArt PaintingsLeadMichelangeloThe HeadWorldSwanBraidsForwardLeonardo Da Vinci, Leda's headSee MoreFurthermore, the literary persistence of this ancient symbolism, is recorded, for example, into a passage of the Mondo Nuovo (the New World), a poem by Tommaso Stigliani printed in Rome in 1628 where it is written: Similarly to what happens with the Lion who fails to defend himself through his feet and armed mouth if a weasel stays in (his) ear by affecting the Lions brain (my English translation; for the original source see Stigliani, 1628, p.69; italics mine)be taken from Ludovico because nowStudyArtistsHtmlThe O'jaysAll Over The WorldSketchesPortraitsPortrait ArtPortrait PaintingsForwardPage: Woman's Head Artist: Leonardo da Vinci Completion Date: Place of Creation: Milan, Italy Style: Early Renaissance Genre: portrait Technique: ink Material: paper Dimensions: x cm Gallery: Galleria degli Uffizi, Florence, Italy " I love thus so much"See MoreTo understand what is nature and what is artHe would perform autopsies to self teach human anatomy.See MoreSONNET LXVII 3cf411504a


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